20 Lines A Day

A Community of Writers and Photographers

Burgers Messy - Two


BURGERS AND HOT DOGS

Cheeseburger Tall

For over thirty years, I’ve illustrated food. I’ve enjoyed sharing jobs from my career. For this post my images are of hot dogs and burgers.

The first hamburger above was done for my portfolio at the very beginning of my career. I painted it with watercolors. I used a photo on a puzzle box as my reference and the bun was very yellow. Later on, it was always best for me to use my own photos.

I knew that even the messiest food could be fixed when it was illustrated.

I might have done a good job illustrating this, but preparing perfect burgers was too hard! This is my photo reference an AM/PM poster job.

Thank God I wasn’t a food photographer; preparing perfect burgers was hard! This is my photo reference for an AM/PM poster job.

I usually took my photos outdoors because I preferred the lighting.

I usually took my photos outdoors because I preferred the lighting.

Painting sesame seeds were challenging because I masked out every single one of them using rubber cement.

Burgers Messy - Two

Eventually, I painted those seeds using acrylic and it was much easier. Because opaque mediums have an inherent bluish tone, it was best to still use the masking fluid and then the acrylic would clean up any mistakes.

AMPM Burgers AMPM Hotdog

 

Jobs to make burgers and hot dogs more attractive were done for AM/PM Arco Mini-markets and Orange Julius. Reading all the comments from the art director on my marker layout had me working hard. An artist’s conception was a euphemism for fooling the customers. My job was to make the product look a lot better than it really did!

This is a preliminary marker sketch.

This is a preliminary marker sketch.

A lot of comments on that tissue overlay. Clicking on the image makes them easier to read.

A lot of comments on that tissue overlay. Clicking on the image makes them easier to read.

The process of illustrating a poster for Orange Julius starts with the job layout, my photo reference shot, marker sketch and final art.

OJ Hot Dog layout OJ Hot Dog ref

Marker sketch - in some ways I like it better than the watercolor version.

Marker sketch – in some ways I like it better than the watercolor version.

The bun on the final art was lighter and less colorful. (Probably more edible in appearance that way)

The bun on the final art was lighter and less colorful. (Probably more edible in appearance that way) Notice the biggest difference – a bigger hot dog than bun. Not true!!!

I have included many marker comps for this post because in some cases I have no other copies; the client kept the final art. For the Del Monte relish labels, my marker renderings are fairly close to how the final art looked. The marker rendering of a grill was done for one of my agents to help me obtain more marker jobs. Later on in my career, I used markers for many final illustrations when time was tight.

Del Monte Relish Delmonte Hotdog Comp Del Monte Burger Comp BBQ Grill

On my Sandwich Post I shared a fabric that was called “Deli print.” Well, I also have a burger fabric. Someone else designed it and included Sloppy Joes, which I never even painted; but they did use the same buns and sesame seeds!

Burger Fabric

I actually illustrated a burger for a financial company. The price sign stuck in the burger was not helpful when I wanted to use the image for my stock agencies. I was able to digitally remove it. The prices for that burger went up over time. Unfortunately, that hasn’t happened for illustrators. If I receive prices for my art like I did twenty years ago, I’m very happy!

Griffin Burger

This was my preliminary marker sketch.

This was my preliminary marker sketch.

I'm throwing this image in from a menu. More sesame seeds for me to paint. Notice that great price - it fits in about how burger prices have risen!

I’m throwing this image in from a menu. Notice that great price – it fits in with the illustration above it showing how burger prices have risen!

Glad i could take off the price tag.

Glad I could take off the price tag.

I have a lot more information about my illustration career on my blog “Illustrating My Life,” which can be found at this link: http://foodartist.wordpress.com/

© 2014 by Judy Unger, http://www.myjourneysinsight.com and 20 Lines A Day. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content.


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ANYONE FOR ITALIAN FOOD?

Vegetable Medley

For over thirty years, I’ve illustrated food. When I first began my career, I had only a portfolio of paintings I created while in college. Let’s pretend the watercolor above is for an Italian soup! I was 18 years old when I painted it and copied a photo that I saw in a magazine. Later on, I used my own photographs.Pizza Billboard

I’ve enjoyed sharing jobs from my career. For this post, my subject is Italian food. And the billboard above happens to be one of the very first jobs I received after I graduated college in 1981.

Pizza Pan

The painting was fairly large and a lot more work went into before it was cropped off! I did prepare a custom pizza and sadly did not satisfy the art director with enough drips of cheese. Somehow, he found a way to add them. Years later, I illustrated another slice of pizza with cheese dripping and this time I made sure the drips were emphasized.
Pizza & Slice

My job always started with the art director’s layout. Then I took a photograph for my reference (notice how I burned the pizza crust?). Good thing that I saved the spatula from my first pizza job years earlier.

Griffith Labs Layout Griffith Labs Photo Ref

 I traced my photo and sent line drawings to the art director. After that, I created a marker sketch that was usually very realistic. I’ve actually made some of my marker renderings into final illustrations.Pizza Pan 1

When I had to illustrate a pizza inside of a stopwatch, I dreaded illustrating the watch. It was far easier to illustrate something organic instead of perfectly round and shiny metal.

pizza layoutEagle Pizza ref

I always found comments made by the art director to be interesting.

I always found comments made by the art director to be interesting.

But I closely followed my reference and relied on an old-fashioned airbrush to achieve perfect gradations.Pizza Stopwatch

One of my larger packaging assignments was for the food manufacturer, Ragu. I created approximately 25 labels for their Italian sauces. I share some marker sketches; printed labels and even an original painting taken from a scan of an old slide. I was definitely tired of mushrooms and onions when I finished that painting!

This is taken from a color photocopy.

This is taken from a color photocopy.

Ragu- 8 w. slides  

This was a marker layout.

This was a marker layout.

Mushroom and Onions Horizontal

Below is another assignment for Chef Boyardee. I did not illustrate the ravioli and my paintings needed to be very photorealistic since the photo would be in front of them. My painting images were scanned from color photocopies and not the best representation of my work.Chef Boyardi Tearsheet Chef - parm. yellow Chef - meat in back Chef - meat front Chef - black top cheese

And my last illustration was taken from a series of labels for flavored non-stick sprays. The flavor was olive oil spray, which doesn’t sound very appealing to me.Pasta with Salt and Pepper

I have a lot more information about my illustration career on my blog “Illustrating My Life,” which can be found at this link:

http://foodartist.wordpress.com/ 

© 2014 by Judy Unger, http://www.myjourneysinsight.com and 20 Lines A Day. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content.

 

 


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I AM A SANDWICH

This is my favorite painting of a sandwich, which I created in order to add to my portfolio. Below my illustration is the actual photo of a sandwich that I assembled. How in the world would anyone bite into it?Sandwich Sandwich photo ref

For over thirty years, I’ve illustrated food. I’ve enjoyed sharing jobs from my career. Because I’ve illustrated so many fruits, it was easy to sort them by name. For this post, I am sharing sandwiches and even fit a s’more illustration for Honey Maid into this category.

On an advertisement for Pro Write software, I was instructed to place a package in the foreground. Later on, I painted a mouse pad to replace that part of my illustration. It made it handy so that I could market the painting in my stock library.

Pro Write softwareEach element of my painting required a lot of research and good reference. Even the pink message needed to look as if had writing on it in perspective. I enjoyed the luminescence of the soda, and hated painting the watch dial. I was proud of the rye bread and the realism of it with the seeds.

Sandwich, Soda, & Mouse Pad revisedSandwich, Soda, & Mouse Pad revisedWhen I was given the assignment to create a s’more – it was lucrative based on the fact that I only had 4 days to complete it. I have scanned the art director’s layout as well as the printed version. I was surprise how a box was inserted behind the plate on the left side, which certainly was not correct perspective by any means. But the background also had a weird look.

This was the art director's layout.

This was the art director’s layout.

As a result of this job, I learned how to microwave a perfect s’more. My own children screamed watching marshmallows blow up in the microwave after 10 seconds.Honeymaid S'more Final art

The printed version with a strange perspective.

The printed version with a strange perspective.

I share another illustration for Honey Maid, which also had an intensely difficult deadline. I searched far and wide to find a specific style of lunch box that the client wanted. It was interesting to illustrate another illustration on the box. I used a toothbrush to splatter watercolor paint in order to achieve the graham cracker texture.Honeymaid fihal art

The printed advertisement.

The printed advertisement.

This roast beef sandwich was one of my first paintings that I did when I first started my career. I certainly improved painting water droplets after many years of practice.Roast Beef SandwichBelow is a marker comp for a job that was never finalized. That often happened with many jobs, especially when a product was still being formulated.Sandwich-Salad MedleyThis illustration was very complex. It was an assignment to create a cover for a bread machine recipe book. For some reason, I never received a copy of the printed book, which I probably pursued relentlessly.Bread & Carbs close up breads even closer breadsEarly in my career, I created many illustrations that were used on a menu. I never received copies so one day I ate at the restaurant and swiped a few menus. Although I felt guilty, it was vindication because the art director tricked me. I gave up rights to my original art when I cashed the check because he wrote something on the back with those words. Unfortunately, I didn’t pay close enough attention because I was in such a hurry to deposit the check.

This job was done a long time ago and I feel old seeing those prices.

This job was done a long time ago and I feel old seeing those prices.

Spires Menu 2

I included this, even though I plan to have another post of just my burger paintings!

I included this, even though I plan to have another post of just my burger paintings!

Later in my career, a fabric company bought existing art to design a deli fabric. It was eventually used on aprons, pot holders and towels. I did not make much money and even paid for a bunch of samples because I thought they would make terrific gifts. I even use them!Deli Fabric My deli assortment

I have a lot more information about my illustration career on my blog “Illustrating My Life,” which can be found at this link: http://foodartist.wordpress.com/

© 2014 by Judy Unger, http://www.myjourneysinsight.com and 20 Lines A Day. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content.


3 Comments

LAYERS IN MY LIFE

Perfume MedleyArt is my profession; music is my passion.

Art and music are two creative pursuits that define my life. I realize that I didn’t include writing. I’ll save that for another story, because writing is definitely my remedy! There are many similarities between art and music for me. The most obvious parallel would be “layers.”

Every illustration I create starts with layers. The order, selection and placement of those layers affect the outcome. Each layer befriends the layer beside it. When I painted with watercolors, colors were transparent veils that I gradually built upon.

Perfume Close up 2

I am now primarily a digital illustrator. I separate every item in the composition on my computer. Then I arrange those items to fit comfortably into the label area I’m illustrating. I use whatever reference I can find and often shoot my own photos with an inexpensive digital camera. 

Below is an example of my digital process. I was still teaching myself how to do this when I illustrated a label for the salad company, Ready Pac. My illustration was for a Caesar salad dressing label and the ingredients needed to be arranged in a specific way to fit the space.

My photo of the ingredients.

My photo of the ingredients.


My final illustration (the lemon was taken out).

My final illustration (the lemon was taken out).

ready-pac-labels 

With music, the ingredients are the lyrics, chords and my vocal – all of which are deeply defined by me. 

Music has layers, just as an illustration does. Clearly defined layers comprise my song’s arrangement. Arrangements are simply layers (or separate tracks) of instrumentation and include my vocal and guitar recordings. 

I love composing music and sometimes it begins with a melody. Other times, I’ll write chords or lyrics first. Putting those layers together is a beautiful process that I find completely inspiring.

Music layers are visible as colored stripes on the computer program Pro Tools. I have learned to read and edit waveforms.

Music layers are visible as colored stripes on the computer program Pro Tools. I have learned to read and edit waveforms.

With art, I strive relentlessly to please my clients and that can involve numerous revisions to an illustration. With music, I strive to please myself. There is even a similarity between those because it is a relentless task. I am very demanding of myself!

My final illustration of Marion Berries. The client was very particular about the color of this berry.

My final illustration of Marion Berries. The client was very particular about the color of this berry.

 

Marion Berry ideas

When I shared my illustrations with a few friends, I received a message back that left me in hysterics. It was: 

Close, but this is Marion Barry….

Marion Berry

I far prefer illustrating a pepper like this one.

I far prefer illustrating a pepper like this one.


These peppers are a lot prettier!

These peppers are a lot prettier!

“Hot Stuff”

Sometimes on illustration assignments I am required to sign confidentiality agreements. Even though I haven’t had to on my recent projects, in the interest of being discreet I won’t name the clients I’m working for.

I have learned a lot as an illustrator. I received a small assignment to create two illustrations to go on a pizza box. One was for garlic and the other chipotle. For the garlic flavor, I already had existing art that could be used.

Garlic

But for the chipotle flavor I had to create new art. Rarely is that required of me, since I have such an extensive library of existing food images. So now, I am intimately acquainted with Chipotle peppers. They were a lot harder to illustrate than I thought. It was because they were incredibly ugly and no actual reference existed!

Every job of mine begins with finding reference. I contacted the art director after going to a local Latino market looking for an example of chipotle peppers. I told her that I couldn’t find any actual peppers to work from. It seemed that they only existed as a picture on a can. And inside the can, those peppers were soaked in Adobo sauce. I needed something better than that to work from.

So she emailed me a picture that I will name “Pepper Corpses.”

Pepper Corpses

I couldn’t believe it – how in world would I illustrate peppers looking like that? 

It was time for me to be truly creative. I remembered seeing dried peppers at the Latino market. I would just go back and find something “similar.” I must mention that I was also searching for reference on another assignment. I needed items of caramel, chocolate and ice cream. For a few weeks I became a supermarket sleuth! My dining room table was covered with illustration reference. 

Unfortunately, the peppers I found did not really match the shape or color. Some were very tiny, long and a bright red color. Others were longer, wider and brown in color. I altered my photos and tried to match the photo of pepper corpses above. I then shot them off to the Art Director, whom I will call AD.

First Pepper reference

AD sent me back more photo reference.

Art direction

Aha! Now I was on the right track! Once again, I went back to the Latino Market and went through all the bins of dried peppers while holding a color copy of those images above. The penny was helpful for size, but there was still nothing that matched. But I knew with Photoshop I could do wonders. 

As I was walking toward the checkout line, there was another bin. Wallah! There were peppers that really seemed close to what AD wanted. Hint: They were not Chipotle.

Chipotle reference

I began my digital work and delicately erased the background and arranged the peppers into different compositions. I sent my layout choices off to the AD.

Chipotle Comps

The AD picked B. But now, the color had changed. Brown or eggplant color was out and I was instructed to create something with a deep red. I created another layout on my computer.

Final Layout

My layout was approved! I felt like I saw peppers in my sleep by now. My eyes burned because I rubbed them by mistake while I was photographing the dried peppers. I forgot how potent those peppers were! 

The process of creating my illustration was usually simple at this point. I printed out my image onto watercolor paper and worked over it. I used a lot of colored pencil, especially on the highlight areas that were numerous and too busy.

Sometimes my illustrations feel very abstract when viewed as a close-up.

Sometimes my illustrations feel very abstract when viewed as a close-up.

I sent off the final art and it was a relief. I always looked forward to the message telling me my artwork was approved and that I could send an invoice. I held my breath. 

The AD sent me a message with a tiny revision. It wasn’t difficult with my computer to alter the artwork. But of course, I thought, “Why didn’t she see that sooner?”

Fix

I made the small change and then I received her message below: 

Judy! Client loves the work and is so thankful we talked them into illustration vs. photography. All approved!! : ) 

THANK YOU SO MUCH again for jumping on this! Shoot over your invoice and I’ll get it into accounting right away. Yippeee! 

I wrote back: 

Wow! You just made my day. :) :) :) 

After illustrating peppers, I feel like I’m hot stuff.

Judy

Chipotle Pepper Final Art

I have a lot more information about my illustration career on my blog “Illustrating My Life,” which can be found at this link: http://foodartist.wordpress.com

© 2013 by Judy Unger, http://www.myjourneysinsight.com and 20 Lines A Day. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content.


VEGETABLES-PART 2

Vegetable Group

For over thirty years, I’ve illustrated food. This is my second post of illustrations with veggies.

Most of these paintings were created before the digital age. But one of the best tools that taught me how to utilize the computer, were scans of my existing images. I was able to digitally select and separate images in order to create samples of my work. (The Italian subject was not strictly veggies, but I included it for fun.

Salsa top Salsa bottom Italian

The only painting that is a result of working digitally is the nacho cheese and jalapenos. I created my painting first on the computer. I painted with watercolors over a light print of that illustration.

Nacho Cheese & Chips

This illustration of tomatoes below is actually a digital reconfiguration of tomatoes from several different paintings. When I “reconfigure” a painting, I try to be sure that the color, lighting and shadows are consistent.

Tomato Group

Another one of my "reconfigured" paintings.

Another one of my “reconfigured” paintings.

Some of my illustrations (Salsa Verde, corn and avocados) were actually created as marker layouts.

Corn Avocados Salsa Verde-Ingredients

Since my career spanned over thirty years, I clearly see a lot of development with my style. Some clients demanded extreme realism, whereas other clients preferred a specific style.Vegetable Juice Group Salsa ingredients Salsa Horiz. 2 Salsa Horiz. 1 Beet Medley

Below are examples of some of my vegetable illustrations on printed labels:

Vegetable-Cooking Group Ragu Soybeans Hanging Soy Label Tostitos-horiz Spice Islands Chef Boyardi Carrots Orange Carrot

I have a lot more information about my illustration career on my blog “Illustrating My Life,” which can be found at this link: http://foodartist.wordpress.com

© 2013 by Judy Unger, http://www.myjourneysinsight.com and 20 Lines A Day. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content.


1 Comment

VEGETABLES – PART 1

Taco SceneFor over thirty years, I’ve illustrated food.Because I have a lot of illustrations with veggies, I am breaking them into several posts. All of these paintings were created before the digital age.Taco Scene Close up 1Taco Scene Close up 2Some of these illustrations are actually marker layouts, while others are watercolor paintings. I am including some close-ups. Since my career spanned over thirty years, I clearly see a lot of development with my style. Some clients demanded extreme realism, whereas other clients preferred a specific style. SandwichIt is definitely cool to go into the market and purchase pickles with my illustration on the label. Sometimes, I can’t resist telling the checker in the supermarket that I painted that pickle on the label. There’s never a “dill moment” for me.Ragu Labels

This was a marker sketch and not a finished illustration.

Vegetable Medley

Salsa ingredients-aerial view

Produce Medley Produce Medley close up 2 Produce Medley close up 1

I did relish doing this job.

I did relish doing this job.

Chicken Plate & Fork

Whoever thought turkey drumsticks were cute?

Whoever thought turkey drumsticks were cute?

For this lucrative assignment, I illustrated over one hundred labels.

For this lucrative assignment, I illustrated over one hundred labels.

I have a lot more information about my illustration career on my blog “Illustrating My Life,” which can be found at this link: http://foodartist.wordpress.com 

 

© 2013 by Judy Unger, http://www.myjourneysinsight.com and 20 Lines A Day. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content.


2 Comments

LETTUCE EAT SALAD

Salad Tossed

For over thirty years, I’ve illustrated food. I wanted to name my post “turning over a new leaf,” because I’ve embraced music as my passion now. But I chose a different title because I am still illustrating food. I also enjoy sharing the many illustrations that I have created over the course of my career.

Not a salad, but colorful and fun to share. This illustration was commissioned for a cafeteria company.

Not a salad, but colorful and fun to share. This illustration was commissioned for a cafeteria company.

For me, illustrating salad was a joy. The textures and colors intrigued me and reference was readily available. The challenges for me were the non-organic elements, such as bowls, plates, and bottles. Two of the earliest jobs of my career were for California’s Iceberg Lettuce Commission. I created two posters and later on a brochure.Salad Poster

The instructions for those illustrations were clearly outlined by the art. It was always helpful for me to receive such precise instructions to follow. Below, I share examples of marker sketches that were very important before I proceeded to final paintings. I hated to make changes to final art and the marker sketch gave me useful feedback, as well as reassuring the clients as to how my illustration would appear.

This is an example of another usage for my illustration purchased through a stock agency.

This is an example of another usage for my illustration purchased through a stock agency.

This is an example of my salad poster painting in progress. It was actually a teaching example from the time when I was an instructor.

This painting in progress shows my watercolor technique. I did this as an example when I was an art instructor.

This is a marker sketch.

This is a marker sketch.

Salad Bar

This is the printed poster.

This is the printed poster.

On a project for Borden, I photographed my own hand – I thought it would be easy to create the fingernail, even though I didn’t have a long one. The art director made a comment, “Hand looks too heavy, can you make it more slender?” OUCH!Salad Borden comp Borden Comp w. Comments Salad Dressing Bordens

I especially enjoyed working for Ready Pac, Co. My first illustration was for their Spinach Salad Kit. I was only required to illustrate the package elements, not the salad.I completed the marker comp and received delayed feedback that the dressing needed to be lighter and more translucent. The client wanted the spices to be visibly floating in the dressing. I had already begun painting, so I stopped what I was working on and began again. I had to take new reference photos to help me. Solving the texture for the croutons was fun for me. I used colored pencils to achieve the “roughness.”
Ready pac Labels

I always gave my clients choices with sketches. It's much easier with a computer now!

I always gave my clients choices with sketches. It’s much easier with a computer now!

I ended up making the dressing more transluscent.

I ended up making the dressing more transluscent.

This is a marker sketch.

This is a marker sketch.

An example of my photo reference.

An example of my photo reference.

Ready Pac Spinach

Subsequent jobs for Ready Pac incorporated my own unique digital process. I worked with my computer to create something that I could lightly print out onto watercolor paper. I painted over the print with watercolors.

Caesar Lite Asian Salad kit art Asian

Parisian salad kit art

ParisianSalad Trays Ready Pak

I share now more illustrations for salad packaging that I created over the span of my career.

Salad Sensations Henri's dressing

An example of my job layout.

An example of my job layout.

A close up.

A close up.

Salad Horiz Best Foods dressing 

I have a lot more information about my illustration career on my blog “Illustrating My Life,” which can be found at this link:

http://foodartist.wordpress.com/

 

© 2013 by Judy Unger, http://www.myjourneysinsight.com and 20 Lines A Day. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content. 


HOLY BAGELS!

 

In 2000, I became quite familiar with bagels when I painted two-dozen of them. My illustrations were used on packaging for Lender’s Bagels.Strawberry swirl

The art director wanted each bagel to have its own character. Many of the bagel flavors had different contours; some were rounder and others were more oval. Cinnamon Raisin Bagel Bagel-Cinnamon SwirlThrough experimentation, I discovered that markers and colored pencil worked best to create realistic illustrations. I added small amounts of acrylic to create details such as sesame, poppy seeds and highlights. I have included some close-ups of my illustrations.Bagel-Everything close up Sesame seeds close upbagel-everything Bagel-Sesame

Bagel-garlicChoc. swirlPlain Watercolor BagelBagel-CranberryBagel-Cinnamon Raisin SwirlEgg BagelBagel-Blueberry SwirlBagel-Blueberry

All of these paintings were done before Photoshop existed. I have a blog where I describe my technique and have a lot more information. It is at: 

http://foodartist.wordpress.com

© 2013 by Judy Unger, http://www.myjourneysinsight.com and 20 Lines A Day. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content.

 


2 Comments

GOING NUTS

I want to share my paintings of nuts and have thought of a few puns related to them:

Painting nuts got me “out of my shell” and I tried not to “crack up.” All those details made me “nuts.”

Almonds and Leaves

My paintings were commissioned assignments of illustrations that were used on labels. The smaller almonds were for a liqueur label, the peanut butter and mixed nut medleys were for a supermarket brand and the rest were created for a company named Azar Nuts.Walnut Group Peanut Butter Medley Nuts-Walnuts Mixed Nuts with Peanuts Mixed Nuts Panorama Cashew PanoramaMacadamia Nut Group Hazelnuts Horizontal   Black Walnut layers Almonds Peanut Group Pecan Group Pinenuts

I have a blog where I describe my technique and have a lot more information. It is at: 

http://foodartist.wordpress.com

© 2013 by Judy Unger, http://www.myjourneysinsight.com and 20 Lines A Day. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Judy Unger with appropriate and specific direction to the original content. 

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